FIMTE

HARPSICHORD COURSE Luisa Morales 13 - 14 October 2012	FIMTE invites applications from keyboardists to participate in this course led by Luisa Morales. A limited number of participants will be selected for this masterclass. Applications should include a complete cv, address, date of birth and the chosen repertoire for the course (6 works) Program: works by Spanish composers (1700-1810): Antonio Soler, Domenico Scarlatti, José de Nebra, Juan Moreno y Polo, etc. A maximum of 8 participants will be accepted Languages: Spanish, Catalan, English, French Inscriptions: 6o € FIMTE has a limited number of scholarships available, covering only the registration fees for the symposium and/or the workshop. Travel and accommodation costs must be borne by the applicant. To apply for the scholarship, the student must submit a CV to the organization before May 1st.

ACADEMICS FIMTE DIPLOMA ON SPANISH KEYBOARD MUSIC 2012	FIMTE has gained international reputation for the organization, promotion, study and publication of the rich heritage of Spanish keyboard music. Now FIMTE is organizing a series of workshops intended to musicians who want to have an accomplished and up-to-date knowledge on Spanish Keyboard Music, by completing a study program in which different aspects of Spanish keyboard music will be dealt by well known scholars and performers. Dates and details on these workshops will be advertised nextly in this website.
What the critics say about LUISA MORALES Luisa Morales's recording on the Kirckman is excellent.This is a particularly fascinating recording… Morales uses the resources of the Kirckman extremely intelligently, and the contrasts of colour and volume work with the music rather than imposing on it. Morales has an obvious affinity with this music, and an impressive technical command of all the virtuoso elements of these sonatas.” Early Music (Oxford University Press, April 2011) … Her playing has tremendous forward drive, particularly effective in the Soler which never palls here…Morales makes full use of the Kirckman's broad palette of colours…giving full rein to its extrovert personality, which suits her choice of sonatas admirably, particularly, those of Soler. ( Early Music Review, London April 2008) …There was certainly no participant who did not thrill to the recital of 18 th century Spanish music by Luisa Morales on original instruments…Interest was even heightened when she was joined at the conclusion by dancer Cristobal Salvador who employed traditional folk dance steps plus castanets while Luisa played Scarlatti Sonatas… ( Historical Keyboard Society Newsletter , USA June 2003)

HARPSICHORD COURSE

13 - 14 October 2012

FIMTE invites applications from keyboardists to participate in this course led by Luisa Morales. A limited number of participants will be selected for this masterclass.

Applications should include a complete cv, address, date of birth and the chosen repertoire for the course (6 works)

Program: works by Spanish composers (1700-1810): Antonio Soler, Domenico Scarlatti, José de Nebra, Juan Moreno y Polo, etc.

A maximum of 8 participants will be accepted

Languages: Spanish, Catalan, English, French

Inscriptions: 6o €

FIMTE has a limited number of scholarships available, covering only the registration fees for the symposium and/or the workshop. Travel and accommodation costs must be borne by the applicant. To apply for the scholarship, the student must submit a CV to the organization before May 1st.

ACADEMICS

FIMTE DIPLOMA ON SPANISH KEYBOARD MUSIC

2012

FIMTE has gained international reputation for the organization, promotion, study and publication of the rich heritage of Spanish keyboard music.

Now FIMTE is organizing a series of workshops intended to musicians who want to have an accomplished and up-to-date knowledge on Spanish Keyboard Music, by completing a study program in which different aspects of Spanish keyboard music will be dealt by well known scholars and performers.

Dates and details on these workshops will be advertised nextly in this website.

What the critics say about LUISA MORALES

Luisa Morales's recording on the Kirckman is excellent.This is a particularly fascinating recording… Morales uses the resources of the Kirckman extremely intelligently, and the contrasts of colour and volume work with the music rather than imposing on it. Morales has an obvious affinity with this music, and an impressive technical command of all the virtuoso elements of these sonatas.”

Early Music (Oxford University Press, April 2011)

… Her playing has tremendous forward drive, particularly effective in the Soler which never palls here…Morales makes full use of the Kirckman's broad palette of colours…giving full rein to its extrovert personality, which suits her choice of sonatas admirably, particularly, those of Soler.

( Early Music Review, London April 2008)

…There was certainly no participant who did not thrill to the recital of 18 th century Spanish music by Luisa Morales on original instruments…Interest was even heightened when she was joined at the conclusion by dancer Cristobal Salvador who employed traditional folk dance steps plus castanets while Luisa played Scarlatti Sonatas… ( Historical Keyboard Society Newsletter , USA June 2003)